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2015-05-26 - Shady Copse (Day 10).jpg

Paintings in Progress

Three Sisters Redux - Day 5

Brenna OToole

It's coming along. Need to decide soon whether to let the texture of the paper show through or whether I should start smoothing things out.

Three Sisters Redux, Day 5 - 5.3 hours

Three Sisters Redux, Day 5 - 5.3 hours

Three Sisters Redux - Day 1

Brenna OToole

Giving this subject matter another go, this time in horizontal format. Once again, I'm working large...this subject matter seems to lend itself well to that. This is on a 24 x 36 board, which is probably about four times the size of most of my work.

This is just the underpainting so far. About two and a half hours (including sketches/composition nonsense) today. Taking pictures of this is going to be challenging due to uneven lighting, but there's not too much I can do about it. Well, aside from wait for a sunny day, but it looks like those will be in short supply this week.

Three Sisters Redux, Day 1 - 2.5 hours

Three Sisters Redux, Day 1 - 2.5 hours

Shady Copse - Day 8

bco

It's getting to that point where I should probably think about stopping; otherwise I'm liable to overwork it like crazy. Another hour today.

Shady Copse - Day 8, 6.4 hours

I might want to consider cropping it. Not sure yet. I'd either have to take a little bit off the bottom or a lot off the top.

Shady Copse - Day 6

bco

Another 45 minutes today. Added some more color into the foliage and also started defining this foreground tree a little bit more. Sadly, there were a lot of chores that really needed to get done, so I couldn't stand at my easel and paint all day. Shady Copse - Day 6, 4.4 hours

Shady Copse - Day 1 & 2

bco

Yesterday I did an underpainting with sumi ink: Shady Copse - Day 1 (Part 1), 0.7 hours

Then I added yellow ochre pastel on top of the underpainting, and brushed that with rubbing alcohol to produce a toned surface:

Shady Copse - Day 1 (Part 2), 0.9 hours

And today, I started going over that underpainting with other colors, trying to stay loose:

Shady Copse - Day 2, 2.2 hours

So far, I haven't yet added any actual green; I'm just playing with color temperature. Not sure whether I'll add green in the future or not. More next week, or perhaps this weekend if I feel particularly ambitious.

Melting Snow - Day 14

bco

Three hours, and although I swore to myself I'd finish this today, I'm still not sure it's done. Of course, at this point I've saturated the tooth of the paper so much that I can't really do much more. Wish I were more skilled at knowing when to stop. Probably should have stopped the other day. But it's no use thinking about that now. Maybe I'll just call it done and start something new. I don't have to make frame-worthy art every time. And I can always crop it!

This photo came out a little on the dark side (probably because it's getting late in the day, and there's less light in my room than usual); those dark blues are not quite so dark in person.

Melting Snow, Day 14 - 13.4 hours

Melting Snow - Day 10 (and a random experiment!)

bco

Didn't work on Melting Snow long today. 20 minutes, maybe. Tomorrow's my big day to work on it -- my goal is to finish it tomorrow. I just wanted to make some headway, get back in the swing of things. Gotta remember that even if I totally screw up the foreground, the background is still salvageable! Melting Snow, Day 10 - 7.9 hours

Another reason why I didn't spend all that much time on this piece today is because I played with the pastel ground I created yesterday!

Yesterday, I dry-mounted a piece of scrap calligraphy "warm-up" paper (it's covered with random letters, phrases, and practice strokes on it) to a piece of foam core with a dry-mount adhesive sheet and a clothes iron. Then I coated the sheet with a layer of transparent matte medium (to prime it), and brushed on a coat of Golden pastel ground on top of that to make a toothy surface that would accept pastels. It cured overnight, and today I decided to play with it.

It was fun! You might, if you look closely, be able to make out phrases from The Lord of the Rings. The script I've been working on is called Carolingian. I've been posting my hand-scribed edition of the book here. Later today or tomorrow I'll post the next two pages...the party has finally begun! Very exciting. Anyway, here's the result of my random carefree experiment:

Playing with creating my own pastel grounds for the first time ever!